I'm sure there are several examples for mixing real and virtual instruments on our demo-site one of them is the work of Simon Fox, realising the compositions of his grandfather Hans Gál for the first time:Ī more jazz/electronics-oriented example here: Voxengo makes a handy tool for the creation of customised IRs: At the same time this puts a huge demand on the system memory - Deconvolving a 25-second stereo file at 96 kHz may require up to 100 MB of memory.
In cases like that I achieved great results by making customised impulse responses: Before or after the session, substitute the instruments by a loudspeaker, send a sine sweep through it, and use the "original" mic-setup to record the response of the room. Voxengo Deconvolver also offers a true mathematical FFT deconvolution which delivers 100 exact deconvolution. There _may_ be more demanding situations when recording in huge and/or very unique venues which don't lend themselves so good to be mixed with additional reverb. Mixing with the same reverb on both live and virtual instruments will most likely do the trick to belnd them perfectly with each other. Record them to dedicated tracks and choose the proper mixture afterwards. In other words - it depends a lot on what you're after, but in the end, it is very common to have both close and room mics in the same session. Using close mics in addition to that is a good idea as soon as you want to record soloistic performances of single players (which you want to "back up" on behalf of virtual instruments). I would tend to put more emphasis on the main (or "room") microphones, because this is where the typical "signature" of your recording will come from. The fact that we record our samples as pure as possible (no reverb, no sweetening, no noise etc.) makes it very easy to mix & match the sounds of the virtual and the "real" parts. Please avoid writing overly simple one- or two-sentence reviews as they will not be useful to our web sites visitors searching for opinions on Voxengo software.
Mixing our Instruments with recordings of live players or ensembles is pretty common and should work without major hiccups. You can add your review using the web form below.
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